With this setting you will just get 2 channels from the FS5 if there is audio on both. and our Whether you love Sony cameras or loathe them, the Japanese company has always priced its mid to lower-end cameras fairly aggressively. The Sony PXW-FS5 features an E-Mount, a 4K Super 35 Exmor Sensor, Smart Grip handle, EVF and LCD panel. Use the condenser microphone included in the camera kit (side pocket of the bag). Use the condenser microphone included in the camera kit (side pocket of the bag). With patent issues prohibiting internal compressed RAW recording, the FX6 will only be capable of recording RAW externally. On paper, the FX6 offers you higher frame rates in UHD than the more expensive FX9. The FS5 II has great slow-motion frame rates with the option to shoot up to 960 frames per second internally. The C-100 Mark II is a bit cheaper but doesnt offer 4K. With this system, you can also do things like adjusting the depth of field in real-time as the variable ND will compensate automatically when you make changes to the f-stop. I personally have my doubts about whether they will do either of those things. I was wondering if anyone on this forum might assist me resolve this issue. According to Sony, by recording image stabilization information and using it on the Catalyst Browse/Prepare option, content creators can capture incredibly stable visuals even in handheld mode. Unlike the FX9 that has controls for four channels of audio, the FX6 only has physical controls for two channels of audio. Body, Lens & Accessories: 4.9 lb / 2.23 kg (with 18 to 105mm lens, lens hood, large eyecup, LCD viewfinder, top handle, grip). Sony has priced the FS5 II very well. There really isnt much in between. FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. The grip is wonderful to use. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) However, how many people actually need greater than 4K at this point in time? I was wondering if anyone on this forum might assist me resolve this issue. With the PXW-FS5, the speed of the menu operation is a non-issue. This is a major problem if you want to run the camera on a gimbal and need to remove the top handle. Look, not everyone will agree, and some users will prefer the form factor of a mirrorless hybrid for shooting video, and there is nothing wrong with that. The FS5 has two XLR connectors so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal. The camera can go up to ISO 32,000, and even though there is significant noise at that level, the picture integrity is still there and the colors are still true. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. With the Shogun Inferno and an FS5 II, you can capture up to 10-bit ProRes RAW. The thing to be aware of is that, because of the new color science, footage from the original FS5 and the new Mark II wont match out of the box. Robust and modular: FS5 can be easily reconfigured for drone and gimbal operation. We were not impressed with the quality of the video shot at any of the higher frame rates. They dont work in the S35 mode. This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Today, you can also pair the FS5 II with theConvergent Design Odyssey 7Q for the same functionality. Grab and shoot with Sonys entry-level 4K Super 35-mm camcorder. Chris Monlux is a native of Northern California and is Videomakers Multimedia Editor. Shutter Speed: 60i: 1/8 to 1/10,000 A high resolution 0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. All of these competing options have their own strengths and weaknesses. Now, the big upgrade to the capability of this camera is what it can do when video is captured externally. Just because a new camera comes along, it doesnt make the camera you already have obsolete. Despite its amazingly light 1.77-lb body, the FS5 is more than tough enough for the rigors of real-world shooting. The advanced image stabilization information means handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look smoother. Unlike conventional optical ND Filters, the electronic ND Filter on the FS5 can be controlled from 1/4 ND to 1/128 ND linearly. With little investment needed for accessories, flash memory and batteries, its good to go straight from the store. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Everything about this camera is quick, meaning its ready for just about any shooting situation its thrown in to. This allows you to control your camera and also control focus, iris, and zoom with a lens such as the new Sony FE C 16-35mm T/3.1 G E-Mount Lens. A detachable Smart Grip puts all of the FS5s key functions at your fingertips and is easily adjusted with the press of a single button. The camera does not offer any moir issues. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. The processor is claimed to be able to read the sensor 3x faster than the a7S II and 2x faster than most traditional mirrorless hybrid sensors. When not shooting log, the base ISO is 800. When youre shooting lots of videos, you need XLR audio inputs, full manual control via external buttons and a record time limited only by the size of the media. This is the exact same LCD that comes with the FX9. However, unlike the FX9 that is downsampling from a 6K sensor to record 4K, with the FX6 you are getting 4K from a 4K sized sensor. It wasnt till we went back to our FS7 review that we considered it worth mentioning. Sony is also working to encourage other third-party non-linear editing tools to adopt this functionality. By doubling the ISO, we are able to see the performance at every stop. If the camera you currently own is perfectly satisfactory for the type of work you do and is acceptable for the clients you have, then there is no need to purchase a new camera. The Super 35 sensor offers a 1.5 times crop factor, giving the 24-70mm lensan effective focal length of 35-105mm. Again there is nothing wrong with wanting to capture something in the highest quality possible, but just dont use the future proof argument. The Sony FS5 II has so many great qualities, including its price. the camera in the box is actually good for more than five minutes of use. That stronger E-mount is also handy for using heavier-long cine-zooms without having to add additional lens support. Reddit and its partners use cookies and similar technologies to provide you with a better experience. The camera has been designed to be very modular. And once attached, the positioning of the screen can be freely adjusted for example, either beside the camera body or directly along the axis of the lens. Its perfect for a small gimbal and light enough for hours of hand held shooting. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content, S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading, CBKZ-FS5HFR* enables continuous 120fps in Full HD, CBKZ-FS5RIF** enables continuous 240fps in 2K RAW and maximum four seconds of 120fps in 4K (with a suitable recorder). If you are using a camera with a servo-controlled zoom, there is a rocker for your fingertips. Unlike in-camera or lens stabilization, metadata generated by the FX6s built-in gyro allows you to creatively choose the balance between the level of shake compensation, and the resolution. We first noticed the cameras ergonomics, influenced by both its weight and the grip integration. Shooting in UHD 4K with its Super 35 image sensor, its image quality is superb. It also offers Optical Image Stabilization. If only one had audio you just get 1 . It just clicks in no tightening needed. It is the cheapest interchangeable-lens cinema camera that shoots 4K. The power consumption of the FX6 is approx. Solid-state memory camcorder firmware update ver. In that case, regular ProRes or DNxHR encoding is also available. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. HFR 3. FS5 is all about choices. This did not work, Camera Audio Settings: On Channel 1, I have selected Int Mic and on Channel 2 I have selected Int Mic as well. The only way to get UHD 120P out of the FX9 is via the expensive and cumbersome XDCA-FX9 extension kit and record it externally to an Atomos product. Sony has officially unveiled the FX6, the third camera in its new Cinema Line. the R track of Channel 1; this is not the case. Approx. The FX6 has a lot in common with both the FX9 and a7S III, and given its feature set, it certainly does cross over right into FX9 territory. Just like on the FX9 you can load up user LUTS as well as scene files. From all reports the UHD 120p is very good on the a7S III, so it fairly safe to assume that the same will be true with the FX6. Sony PMW-F5 CineAlta Digital Cinema Camera - B&H Photo Or do I need to print a timecode track to the audio channel? Back at Videomaker world headquarters, we tested the FS5s low light capabilities. Weight Body Only: 29.2 oz / 827.8 g The larger screen is nice, but not always necessary. That is reserved for the VENICE. Those these features are available as upgrades for the original FS5, they each came with a $500 price tag. However I had already tried a combination of the the following with no success: The issue is now resolved. On paper, it is hard to find fault with the FX6. Page 19: Attaching The Microphone Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. ), Time Code Settings (TC PRESET/UB PRESET/TC FORMAT, Etc. With the FX6 you can output the exact same 16-bit linear RAW signal from the camera and then record it in the exact same 12-bit ProRes RAW file without needing to pony up $2,500 USD to do it. Login or Sign Up, Activity Forums Sony Cameras No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic, My Sony FS5 Mark ii is not recording audio when I use my external Sennheiser ew G4 microphone which is connected to the XLR Input 2. In no real surprise, that the FX6 doesnt have the same locking E-mount from the FS7 M2 and FX9. SONY FS5 QUICK START MANUAL Pdf Download | ManualsLib Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and dont include ND filters. Even though you might think that the FX6 is an FS5 M2 replacement, Sony will tell you that it is not. It captures 10-bit video internally and offers 5.7K RAW out its SDI. Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 With 960 fps being the fastest frame rate, it also offers 240 and 480 fps. It drastically changes the center of gravity, so handheld shooting is much different with the monitor. The adapter also gives you the additional controls for those two channels of audio. The FX6 works with Sonys Content Browser Mobile. Connect your Tentacle with the Tentacle to . As a comparison to the FX6, the FX9 utilizes a 35.7 x 18.8 mm full-frame sensor. The FS5 is built around a high-sensitivity 4K Super35 Exmor CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion. Creative tips and inspirational stories for filmmakers. You can also view images from the camera in real-time on a smartphone running Content Browser Mobile. During our tests using the Shogun Inferno, we determined we wanted the expanded recording capabilities more than the external monitor. It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. This mount is fully compatible with E-Mount lenses and supports all electronic connections. Starting with slow pans going up to whip pans, the camera has some rolling shutter but not enough to be concerned about. *S&Q from 1-60fps is available in these modes, however, it isnt available if you are outputting RAW over SDI. The FX6 can internally record in resolutions of up to 4K DCI. Optically it is a pretty good all-rounder. Page 18: Audio Inputs Audio Inputs The camera has a built-in stereo microphone on the handle. This doesnt mean you have to use the new cards, the camera is still backward compatible with SD UHS-II cards as well, however, you do need the faster CFexpress type A cards if you want to record frame rates over 100P. Click here to contact a sales representative and request a media kit. solid and well-built. New comments cannot be posted and votes cannot be cast. The location offered many beautiful shooting situations. The camera is about the size of a grapefruit, and the body only weighs 1.8 pounds. You said the mic is plugged into input 2: On your XLR settings, on Channel 2, select input 2. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*. The FX6 can capture 4K DCI at up to 59.94P in 4:2:2 10-bit XAVC Intra (Class 300). The adjustable LCD screen was easily rotated into a storable position. A large proportion of working professionals buying and using cameras in this price range are not being requested to shoot in resolutions above 4K. The FX6 has a massive cooling system that takes up a lot of space within the camera. People are still likely to still complain that theres no internal RAW recording, there are no anamorphic modes and that it cant record in 6K, but as I mentioned earlier, most of the potential buyers of this camera dont require those things. Timecode genlock with the FS5 - DVXuser.com -- The online community for I just started working with an FS-5 and am learning my way around the camera. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. The fact that you can only shoot HD in a Super 35 mode may be a deal-breaker for some potential users. Keep that in mind as we cover the competing cameras. The monitor on the C200 is nicer than the FS5 II, and overall, the C200 is a bit more robust of a camera. Sony was quick to point out that even though this High Sensitivity mode works in a similar way to a dual native ISO, they are not calling it a dual native ISO. Audio Recording Format: XAVC Long, Linear PCM 2, ch, 24-bit, 48kHz, AVCHD, Linear PCM 2 ch, 16-bit, 48kHz, Dolby digital 2ch, 16-bit, 48kHz Sony offers a few better lenses for run-and-gun shooting and many other options for more controlled shooting situations. Unless you step up to a FS7 (but even that needs the XDCA back for TC) or a F5/F55. You have to do this in the menu on the FX6. Its amazing how just a few adjustments differentiate this cameras feel so much from the FS7. It was very slow to respond and just not conducive to changing any menu option quickly. Catalyst Browse nicely displays the coordinates. If you go into the Quick Audio menu you can control and adjust all four channels of audio. 4.00 (72 pages), Nxcam series solid-state memory camcorder (148 pages), Digital hd video camera recorder (231 pages), Digital hd video camera recorder (82 pages), Manual will be automatically added to "My Manuals", Camcorder Sony PXW-Z190V Operating Instructions Manual, Camcorder Sony PMW-EX1 Operating Instructions Manual, Camcorder Sony Handycam HDR-CX550 Operating Manual, Camcorder Sony PXW-FS7 Operating Instructions Manual, Camcorder Sony PMW-EX3 Operating Instructions Manual. The nice thing about this camera is that it doesnt require overly-expensive media. The sensor delivers 14 stops of dynamic range and can shoot up to 960 fps in burst mode. For our review, we shotmostly on the Sony G-Master 24-70mm f2.8 lens. Gain Selection: 0, 3, 6, 9, 12, 15, 18, 24,27, 30dB, On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. Should you purchase the Canon EOS R8 for video? encoding is also available. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. The slow menu of the FS7 was a big problem for a camera at its price point. Because if they didnt what would be the difference between the FX6 and the FX9? It features a regular E-mount. **Paid upgrade. FS5 offers 9 pre-Programd Picture Profiles, including ones customized for S-Log2, S-Log3, plus a profile tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. There are several mirrorless cameras that would get you into UHD 4K at less than half the cost of the FS5. Given the target audience for the FX6, this is something a lot of users are going to appreciate. The quick switches for ISO and white balance make going in and out of different lighting situations easy. This is something you need to keep in mind long term, even though I personally think 4K will be fine for many years to come. Let us know in the comments section below. Wed love to see every camera offered with this option. Looking at just the specs, not much has changed on the FS5 II compared to the FS5. No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic. The FX6 can be used as your main camera, a B camera to the FX9, the A camera to a Sony a7S III, and so on. The FX6 can utilize a range of compatible accessories. The URSA Mini is also cheaper and does shoot 4K 4.6k in fact but has the drawback of weighing about 5lbs and lacks the ease of use of the FS5. S-log2 offers more dynamic range to cameras with 14 stops of dynamic range or fewer. The only concern here that I see is that there is now a lot more competition in the sub $10K category. It was just far more usable on the FS5. Setup Tentacle with Sony FS7 and audio timecode: Make sure your Tentacle device is running in "Green Mode". Unlike the FX9 which uses two XQD media slots that support simultaneous or relay recording, the FX6 utilizes new CFexpress type A cards. Sony PXW-FS5 II review: Still awesome! - Videomaker Plus, the FS5 will shoot UHD 4K in 24 and 30 fps at 100Mbps. Continuous 120fps high frame rate recording in Full HD. We use anonymous cookies to give you the best experience we can.Our Privacy policy | GDPR Policy, No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic, 2023 - By CREATIVE COW LLC. *S&Q 1-60fps and 100/120/200/240fps are available in these modes. Sony needed to reinvent the wheel with the FX6 because the competition has become more aggressive and they couldnt just make a dumbed-down version of an FX9. You will also notice that there arent any physical switches on the FX6 for switching between Internal, External, and MI Shoe audio sources. Essentially it is an a7S III in a form factor that is much better suited for video applications. GoPro HERO11 Black review: Should you upgrade? 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. Once youve zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by an additional 200% in Full HD. However you want to shoot, the FS5 adapts to fit your style. Like what we do and want to support Newsshooter? The 8-second cache recording means no more mis-timed shots leading to extra takes. Sony was also keen to stress that all of the cameras in the Cinema Line have similar color science and that they have all been designed to match. The Kinefinty MAVO LF and MAVO 6K S35 could also potentially join this conversation. The peer to peer support community for media production professionals. Future-proofing my footage is a ridiculous argument especially considering the majority of peoples work isnt something that needs to be preserved and shown in 20 years time. This was a temporary setback, however, as we quickly adapted our muscle memory and found it to be very intuitive. ND auto lets you keep your ISO, shutter speed and f-stop locked and then the electronic ND will automatically make adjustments to keep your exposure correct. If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. The grip and the monitor make the camera easy to operate if you have to shoot at low or high angles. With these upgrades installed the FS5 becomes a FS5ii, minus PP1. Videomaker is always looking for talented, qualified writers. Itd be nice to not have to deal with that much light. So, lets have a look at the key features: If you want to watch the camera announcement live stream from Sony, you can above. Anybody compalining that they were expecting an FX9 in a smaller body with the same features for less money is living in a dream world. Below you can see what is possible to do.